Star Trek: Deep Space Nine
Episode 80: Our Man Bashir
Country: United States
Directed by Winrich Kolbe
Alexander Siddig, Andrew Robinson, Avery Brooks, Rene Auberjonois, Michael Dorn, Terry Farrell, Nana Visitor, Colm Meaney, Armin Shimerman, Marci Brickhouse
Music by John Debney
Obviously Star Trek: Deep Space Nine is not a spy show, but for one episode they ventured boldly where they had never been before – back to Earth in the 1960’s. A time when swingin’ sixties dilettantes roamed the globe. The episode starts with a thug wearing an eye patch being thrown through a plate glass window by Deep Space Nine’s resident Doctor, Julian Bashir (Alexander Siddig). Today though, he isn’t dressed in his usual Starfleet uniform. He is decked out in a tuxedo, and standing beside him is a svelte blonde in a red dinner gown. With the threat removed – that being the thug – Bashir reaches for a chilled bottle of `45 Dom Perignon. Reflected in the glass of the champagne bottle, Bashir sees the thug regain consciousness and get to his feet. In a smooth fluid movement, Bashir turns and pops the cork on the Dom. The cork flies straight into the thug’s head, rendering him unconscious once again. Bashir quips, ‘Quite a lot of kick for a `45 Dom!’ Then the girl asks his name – the good Doctor responds, ‘Bashir, Julian Bashir!’
Yes, the scene is taken directly from the Bondian cliché book, and that’s the way it should be. For those not familiar with the Star Trek universe, most ships and space stations are equipped with holo-suites – that being a large area where holographic movies are played. These holograms are 3D interactive movies in which the viewer can live and act out the stories contained within. These holograms also contain other virtual characters who will react and respond to the situations that they find themselves in. These holograms are so real, not just visually, but touch, feel, smell, hear, and taste, that they have safety protocols installed so that no one gets accidentally killed. The opening sequence is Julian Bashir ensconced in a holo-suite, living out his very own private Bondian fantasy.
A reoccurring guest star on Deep Space Nine was Andrew Robinson, who played a character called Garak. Robinson is known to film fans as the psychopath, Scorpio from the original Dirty Harry film, but in this show his character is considerably more likeable. Garak was a Cardassian agent sent to spy on the Starfleet officers on the space station. Over the series, Garak and Bashir formed a loose friendship. Despite this friendship, Bashir is not thrilled to find Garak intruding in his fantasy program. Having someone intrude on your fantasy life is a bit like being caught masturbating. Initially Bashir is furious at Garak and orders him out of the holo-suite, but Garak’s silver tongue persuades him otherwise. Garak promises that he will not interfere – he simply wants to observe. Before the main titles roll, Garak makes one final proclamation: ‘What could possibly go wrong!’
As you know dear reader, that’s the kiss of death in a show like this. When a character says, ‘What could possibly go wrong,’ you know for sure that something is going to go wrong – horribly wrong.
In the real world, a contingent of Deep Space Nine’s crew, comprising of Commander Sisko (Avery Brooks), Kira Nerys (Nana Visitor), Jadziah Dax (Terry Farrell), Lt. Worf (Michael Dorn) and Chief O’Brien (Colm Meany) are returning for a conference in their space runabout. As they approach DS9 there is a problem with their warp coil (engine, I think). Just as the ship is about to blow, Sisko radios for help and they are beamed aboard DS9. Well almost – they are beamed just as the ship explodes and the explosion causes a malfunction in the transporter. The crew are now just floating bits of information. The DS9 computer is trying to retain their body patterns and neural signatures, but is running low on memory for storing this significant amount of information. The computer searches for a suitable place to store this information until repairs can be made and the only viable solution is in the holo-suite. So the DS9 computer chooses to interrupt Bashir and Garak’s spy adventure. This results in the crew of the runabout now portraying the characters in Bashir’s spy simulation. But to make things even more complicated, even thiose these characters are computer generated, if Bashir or Garak should kill one of them in the course of the mission then the computer would wipe the character from it’s memory and in essence destroy the person playing it. Got that!
Wait. There’s more. Adding one last layer of plot convolution, the ‘safety protocols’ in the holo-suite have been turned off, which means that Bashir and Garak can be killed by the artificial characters.
Once the crazy set up is complete, the rest of the episode is a rollicking spy adventure where our two intrepid heroes, thrust together in a life and death situation must battle the megalomaniacal Dr. Noah and his evil henchmen. I cannot begin to tell you how much fun this episode is. Sure, the set up is the biggest load of piffle – but it’s not really important. It simply serves to place the crew of Deep Space Nine into the middle of an overblown Bondian spy adventure – and what’s wrong with that?