Oasis of Fear (1971)

Country: Italy
Director: Umberto Lenzi
Starring: Ray Lovelock. Ornella Muti, Irene Papas, Michel Bardinet, Jacques Stany, Umberto Raho, Antonio Mellino
Music: Bruno Lauzi, Claudio Fabi
AKA: Dirty Pictures, An Ideal Place to Kill
Original Title: Un posto ideale per uccidere

On multiple occasions I have extolled the virtues of the movie Flash Gordon, starring Sam J. Jones as Flash.. As such, I also am a fan of the actors in the movie – not so much Sam, himself, but Timothy Dalton, Peter Wyngarde, Max Von Sydow, Brian Blessed, and Ornella Muti.

Oasis of Fear features a very young Ornella Muti, which makes it compulsory viewing for an old degenerate such as myself. But before those who have an interest in seeing Miss Muti cavort around topless, I have to let you know, a body-double was used for this movie.

The film starts with a young couple, Richard Butler (Ray Lovelock) and Ingrid Sherman (Ornella Muti) holidaying in London. As London is more liberated than where they come from, they go to a sex-shop to buy two dozen porn magazines, which they intend to sell, to cover the expenses of their holiday. They also buy some 45rpm recordings of people having sex.

If I may interrupt the synopsis at this stage – and maybe it’s because I live in an age where pornography is so rampant, and easy to access, especially on the internet, I find nothing remotely erotic about listening to another couple have sex. I am sure those who have lived in share-houses will agree with me. Who would buy a record of sex sounds? Maybe those crazy ’70s Italians?

Anyway, these kids have bought this porn which they intend to sell from town to town as they trek through Europe. They sell it all – and indulge in wild hedonistic holiday hi-jinx. That is, until they run out of money. To refill their coffers, they decide to take a ‘Do It Yourself’ approach with a Polaroid camera.

They try pass some of their homemade porn to a cop and get busted. For there crime they are forced to leave Italy. But before they can leave, they are robbed by gypsies. Richard and Ingrid try to leave, but have no money for fares. It gets worse, as they run out of petrol. They plan to rectify this by stealing petrol from the nearest villa. They are caught in the act, by the lady of the house, Barbara Slater (Irene Papas).

From here, the story does a u-turn from a swift moving Euro crime thriller to a quasi Gothic chiller with a hint of Giallo thrown in. Ultimately, the film is entertaining, but somewhat of a dog’s breakfast – not really sure what it wanted to be. But, if you a fan of Umberto Lenzi, then you’ll find a lot to enjoy here – and the performances from the cast, especially Papas, are quite good.

Oasis of Fear (1971)

Deadly Inheritance

Release Year: 1968
Country: Italy
Director: Vittorio Sindoni
Starring: Tom Drake, Feni Benussi, Virginio Gazzolo, Ernesto Colli, Isarco Ravaioli, Andrea Fantasia, Ivo Garrani, Valeria Ciangottini, Jeanette Len
Music: Stenfano Torossi
Original Title: Omicidio Per Vocazione

Omicidio Per Vocazione, or Deadly Inheritance as I’ll call it due to my inability to speak Italian is a weird hybrid film. It is basically an overwrought family drama with a small hint of Euro Crime and a dash of Giallo thrown in. The story concerns the family of Oscar Moreau. Oscar is old and deaf. He has three beautiful daughters. The oldest is Rosalie (Jeanette Len), and she has left home. She is married to a two-bit thug named Leon (Ivo Garrani). Leon is in a large amount of debt. Next there is Simone (Femi Benussi). Everybody thinks that Simone is a lonely spinster, but in reality she is secretly having an affair with a nightclub owner named Julian. Julian is stuck in a loveless marriage with his malicious wife, Natalie. She will not divorce him unless he pays her 50,000 francs. Without money he will never be free to marry Simone. The youngest daughter is Collette (Valeria Ciangottini). And finally, Oscar befriended and adopted a young handicapped boy named Janot (Ernesto Colli). Janot is physically handicapped, having to wear a metal brace on his back, and he is quite slow witted.

Old Oscar works on the railways. His job entails opening and shutting the barriers at the rail crossing and minor repairs to the track. As the film opens, Oscar is to do some work on the track. To begin with he switches the points so he won’t have to contend with any commuter trains and then, armed with a pick he sets to work. As he swings his pick, his hearing aid keeps falling out of his ear. In frustration, he removes the aid and sticks it in his jacket pocket.

Meanwhile an unseen hand shifts the points on the line once again, and a train is diverted onto the line that Oscar is working on. With his back to the train and his hearing aid removed, Oscar is oblivious to the oncoming train and continues to work until it is too late. Splat! Yep, it’s not a pretty sight. Afterward the family has gathered for the reading of the will. Nobody expects too much because Oscar had lost a large amount of money trading stocks quite a few years back. But, much to everyone’s surprise, it appear that the old guy had squirreled away quite a bit of dough — one million new francs. But there is a clause, the money cannot be touched and divided until Janot reaches twenty-one years of age — three years away. As each family member has there own financial problems they are not happy about the delay in receiving their inheritance. This is where the family starts squabbling amongst each other.

Later, Janot discreetly watches as Simone takes a shower. She catches him in the act and lashes him with a wet towel. Early on the following morning, at 2:45 am, Simone is to lower the safety barrier at the train crossing. The railway company hasn’t found a replacement for old Oscar yet, and the children and performing Oscar’s duties. Janot, to make up for his indiscretion (watching Simone shower) allows Simone to sleep in, while he goes to the crossing and lowers the barrier. As the train rushes past, Janot disappears. The next morning, beside the railway line, pieces of Janot’s body are found. It appears that he committed suicide.

The police are called into investigate, led by Inspector Gerard (Tim Drake). Gerard does not believe it was an accident, as too many people had the opportunity and motive for killing Janot. It doesn’t take long for Gerard’s theory to be proven correct when another family member turns up dead. In fact, everyone connected with the money slowly gets picked off one by one by an unseen killer.

Omicidio Per Vocazione is quite stylish and entertaining without being exceptional. Like I mentioned at the top, the film is a bit of a hybrid and as such, it doesn’t really succeed on any level. It isn’t particularly scary or violent. As you’d expect with a film like this, there is a twist at the end, but I doubt it will shock too many people. IMDB lists this film as being made in 1968, which I am guessing is an error, because this film ‘feels’ mid 1970’s. But if it is from 1968, I guess that explains why the film is toned down and doesn’t quite reach the violent excesses that giallo and EuroCrime films would reach in the next decade.

Deadly Inheritance