AKA: Roma Violenta, Forced Impact, Violent City
Director: Marino Girolami
Starring: Maurizio Merli, Ray Lovelock, John Steiner, Richard Conte, Luciano Rossi
Music: Guido De Angelis, Maurizio De Angelis
The man with the moustache, Maurizio Merli is back, as another hard-hitting, no holds barred police officer, in this the first of a trio of poliziotteschi films (the other two being Violent Naples (1976), and A Special Cop in Action (1976)). This time, Merli is Commissioner Betti, and guess what? He is committed to stopping crime at any cost, and he doesn’t get along with his superiors. Sound familiar? It is very similar Rome: Armed to the Teeth. It’s also similar to hundreds of other tough police dramas, not the least being Dirty Harry.
Have already made the comparison between Violent Rome and Rome: Armed to the Teeth, I’ll continue the association. While both films are episodic and hardly feature any police work (leads are obtained by informers or beating suspects within an inch of their lives), I must say that Violent Rome is the weaker of the two films. And this is based solely of the strength of the villain. Tomas Milian provided a focal point for the police’s frustration (and hostility) in Rome Armed To The Teeth. But Violent Rome doesn’t provide us with such a character. Sure there are dozens of scumbags for Betti to chase, punch, kick, or shoot at, but none last more than two scenes. Then again, that may be the point. It doesn’t matter how quickly Betti cleans the scum off the street, there are always more ready to take their place.
Another big difference between Violent Rome and Rome Armed To The Teeth is at the halfway point in the movie, Betti hands in his badge. Betti is disgraced after he shoots a criminal dead (John Steiner), rather than attempting to bring him in. It doesn’t matter to the powers that be, that this crim had shot a police officer in the back, and then whilst attempting to escape, indiscriminately fired a machine gun at a playground full of children, killing three. It was far easier to remove Betti, whose methods were an embarrassment to the police department.
For the second half of the movie, Betti works as a professional vigilante. A group of businessmen, led by lawyer Sartori (Richard Conte), have had a gutful of the impotence of the police force and the increase in crime in their city. They have banded together to fight crime, their own way. It’s all legal of course (citizen’s arrests – no killings), but it isn’t long before the group become a nuisance to the criminal underworld, and the underworld strike back.
There are a few other things worth mentioning. The first is a subplot involving corporal Biondi (Ray Lovelock). During the course of the movie, he sustains a gunshot wound to the spine. He becomes paralysed from the waist down. His scenes are the most poignant in the film. Biondi had joined the force wanting to be like Betti. Even after he is shot, he still has the burning desire to put the scumbags behind bars. But as he slowly watches Betti change into a ‘monster’ (it’s an exaggeration, but you get the point), Biondi slowly changes his point of view. It’s a subplot that could have been expanded more, but quite simply on the whole this film doesn’t slow down for characterization.
Another great scene involves a car chase through the streets of Rome. What impressed me, in a scene that shows just how cool headed and determined Betti is, is when his windscreen is shattered during the chase, obscuring his view. Does he stop? No. While driving, with one foot planted fully on the accelerator, he uses his other foot to kick out the windscreen.
Violent Rome, is vigorous, heart pounding stuff. If violent seventies style cop thrillers are your cup of tea, this is well worth checking out. It isn’t high art, by any stretch of the imagination but it does provide all the elements that you’d expect from this genre; car chases, gun fights, fist fights, fierce interrogations. And as a slight warning, it also features a particularly ugly rape scene, which may put some viewers off.