It will come as no surprise that quite a few of cinema’s most popular spies also have healthy literary lives. Even some of the less popular cinematic heroes have quite a devoted following in book form. Here is a listing of further adventures of some of these characters. After all, we’ve all heard the saying ‘the book is much better than the film!’
Today we look at the character Jonathan Hemlock, who featured in two novels by Trevanian
“Trevanian” was actually the pen name of American author Dr. Rodney William Whitaker. Whitaker wrote in a wide variety of genres (Historical, Crime, Horror, Western as well as spy stories) and published books under several names (Nicholas Seare, Beñat Le Cagot and under his own name), but was best known as Trevanian.
His first novel, published under Trevanian at the age of forty when he was teaching at the University of Texas, was The Eiger Sanction, an intelligent, gritty and thrilling spy spoof. It became a worldwide best seller. In 1975 it was adapted as a movie directed by and starring Clint Eastwood. Trevanian described the movie as “vapid” in a footnote in Shibumi. He requested (and received) a screenwriting credit as Rod Whitaker. The balance of the script was written by Warren Murphy, the mystery author perhaps best known for co-writing the Destroyer series of men’s action novels.
Saddened that some critics did not ‘get’ the spoof, Trevanian followed it with an even more intense spoof, The Loo Sanction (1973), which depicted an ingenious art theft (which was copied by thieves in Turin).
As described above, Jonathan Hemlock only appeared in one film,The Eiger Sanction directed by and starring Clint Eastwood. The film was moderately successful, but not a runaway hit. Interestingly, a lot of the humour was removed from the Eastwood movie. For instance, Jonathan Hemlock’s CII controller is not simply ‘Dragon’. His name is ‘Yurasis Dragon’. I hear you groan, but the The Eiger Sanction novels was a cheeky little thriller, and the film unfortunately lost this in translation. I have never read The Loo Sanction (I have a dusty paperback copy lying around somewhere), but if the information from Wikipedia is correct, stating that it is even broader in spoofing the spy genre, it is not so surprising that it was never made into a film.
Country: United States Director: Clint Eastwood Starring: Clint Eastwood, George Kennedy, Vonetta McGee, Jack Cassidy, Thayer David, Brenda Venus, Jean-Pierre Bernard, Reiner Schoene, Michael Grimm, Gregory Walcott, Frank Redmond Music: John Williams
Based on the Novel by Trevanian
SANCTION: A violation of the law, to enforce the law.
Apologies to long time readers, who have read this before – when I moved to the new template, some reviews got lost. The Eiger Sanction is one of them. So here it once again.
I’ll start by saying I am a big fan of Clint Eastwood, but sadly his forays into spy films, The Eiger Sanction and Firefox haven’t been Clint’s grandest moments. Never-the-less, they are still enjoyable in their way.
The Eiger Sanction starts with Agent Wormwood picking up a microfilm on a bridge in Zurich. Upon returning to his apartment, two men burst into his room attempting to retrieve the film. Wormwood swallows the film, but one of the assailants, armed with a switchblade, cuts it from his throat before he can get it down.
Meanwhile, in the United States, ex C2 agent, now an art historian, Jonathan Hemlock (Clint Eastwood) is lecturing a group of students. Upon returning to his office, he finds Pope (Gregory Walcott) sitting at his desk. Pope is a low level C2 agent with delusions of being a hard man. He has been sent to bring Hemlock to C2 headquarters. But Hemlock doesn’t feel too obliging. You see he has retired. Pope insists. Hemlock physically removes Pope from his office (in the usual Eastwood manner).
Afterward, Hemlock is notified that a Pissaro painting is available on the black market. Hemlock is not only an art historian but an avid collector, and has acquired a substantial collection through his black market contacts.
Soon after, ‘Dragon’ (Thayer David), the head of C2 is on the phone and convinces Hemlock to come in. ‘Dragon’ is an albino who has to stay in specially modified rooms dark rooms. Hemlock describes ‘Dragon’ in the film as: ”…a bloodless freak who can’t stand light or cold.” Not only is he physically grotesque, but his methods of coercion are equally reprehensible. He blackmails Hemlock into performing a sanction (assassination) by threatening to inform the IRS about Hemlock’s collection of paintings. Hemlock accepts the mission on the proviso that he receives a letter from the IRS stating that his collection is legal. It is agreed, and Hemlock is sent off to Zurich to kill one of the men who killed Agent Wormwood.
Hemlock completes his mission and returns home. It is not long before ‘Dragon’ is once again chasing his services. This time, ‘Dragon’ gives Hemlock a little more information. Agent Wormwood was in fact Henri Bach, an old friend of Hemlock’s. Hemlock has already liquidated one of the killers, ‘Dragon’ wants him to sanction the other. But they still do not know who the target is. All they have ascertained is that the second killer is a mountain climber and will be climbing the Eiger in the summer, as part of a good will climb involving France, Germany, Austria and the United States.
Hemlock is not only a super cool assassin, and art historian, but he is also a very good mountain climber. That makes him the logical choice for this mission. Hemlock agrees and starts training for the climb.
Well that’s a brief look at the plot, and you can see it’s all good old fashioned espionage fun. So it’s not the plot that let’s the film down. It’s the tone. In his book, The Screen Greats: Clint Eastwood, Alan Frank had this to say about The Eiger Sanction:
‘The Eiger Sanction (1975) was a disappointingly thin and routine spy thriller, with nothing to differentiate it from the dozens of similar that had been produced to cash in on the success of the James Bond movies.’
Frank is close to the mark in his assessment but probably had never read the Trevanian novel on which the film was based. By the mid seventies, the Bond imitators had moved from being mere carbon copies, but to parody. The Eiger Sanction was supposed to be a parody of the Bond movies or their ilk. For example, as mentioned in the film, the head of C2 is ‘Dragon’. But in the film his first name, which is ‘Yurassis’, is never mentioned. Yep ‘Yurassis Dragon’ (say it out aloud). Sure, it’s juvenile humour, but that is what The Eiger Sanction is, or should be about – taking all the Bondian set-pieces and clichés and poking fun at them. Richard Schickel in his biography Clint Eastwood said:
‘A send-up of sorts was perhaps intended, but that is not entirely clear…’
Two elements of the movies that do work well are the music by John Williams (would you expect anything less?), and the cinematography. This definitely a film that should be watched in widescreen. The panoramic vistas are breathtaking, especially in Monument valley, where Hemlock conducts his training for the Eiger climb.
So The Eiger Sanction is a disappointment, but not for what is does, but for what it doesn’t do. Because I am an Eastwood fan, I do tend to cut this film a little bit of slack. I enjoy it, but it is an ‘Eastwood film’. What I mean by that, is Eastwood doesn’t try to make Hemlock a character. It is Eastwood being Eastwood (or at least seventies style Eastwood, before he started branching out). If you have enjoyed The Gauntlet or The Enforcer you will probably find this entertaining. If you are looking to expand your spy film collection, this film is interesting but not really satisfying.